This week brings new gear, better sound and a new name to my ever-changing, revolving door of technology, guitar system. The Roland CM-30 monitor speaker is out. It had great mixing features and good volume, but lacked a sparkle in its sound. It is now replaced with a very different beast – the Yamaha THR10, cleverly marketed as “your third amp.” With the THR10 taking such a prominent place in the system, it seems appropriate to pilfer Yamaha’s moniker for this third incarnation of the system.
The amazing little THR10 practice amp takes on the responsibility for sound output as well as USB guitar input, leaving no place for the Sonuus i2M USB to remain in the system. As a USB input the Yamaha does double duty by feeding 4 audio channels to the computer; a dry direct signal (doubled to stereo) and the stereo processed signal. The amp sims and effects of the THR10 are well implemented and a great new addition to the system. Direct monitoring of wet signal is a lag-free experience, and the THR features two handy knobs for independent volume control of the processed guitar and the USB audio from the computer.
I missed the monophonic MIDI of the Sonuus i2M so I added a Sonuus G2M into the mix. This unit does the same hardware MIDI conversion as the i2M but there is no USB or analog-to-digital. It sends the MIDI signal out through a standard 5-pin din plug (Just when I thought MIDI cables were out of my life). A quick search through some boxes of ancient gear unearthed a quite servicable USB MIDI interface; the Cakewalk UM-1G. It is a compact little unit that now lives strapped to the back of the Sonuus. This is still a temporary MIDI solution, waiting to be replaced later this year (hopefully) by the Fishman Triple Play.